Thursday, November 1, 2012

The Velvet Chair

             The room she occupies is big, the decorations the same as forty years earlier, the ceiling equally tall, inspiring the same air of grandeur it had before, it is as if nothing has changed, the house is quiet and still, the type of quiet that leads you to think and remember. She looks out the window of the old house she knows so well, sitting at the velvet covered chair she has sat on so many times.The sky is the light gray of late afternoon,outside is calm except for the occasional person walking home from work down the sidewalk beside the stone street. In front of her house is another exactly the same, like a mirror image of her residence. 
            She stares, at the facade, pensive. She had seen, she had witnessed, and she remembers. The confusion, the rapidness, the quiet. She looks down to her now slightly wrinkled hands and up again to the house ahead, which stares back at her. She is transported back.
            She is sitting at the velvet chairher father's spotbut he isn't home yet. This was her favorite spot of the house, she loved to sit back and watch life go on around her. At her young age, other people's life's just seemed interesting, apart from playing with her porcelain dolls this was what she preferred to do. She new the neighborhood's routine, she loved the familiarity of the street with the same people crossing past her house for as long as she could remember, she liked knowing who lived beside her. The house in front, she knew, was inhabited by a family much like hers, a mother, a father, and a little girl of about her age. She had seen the father walk inside everyday at about six pm, the mother walk in and out running errands, and the girl come home from school.
             Slowly she had noticed their outings decrease, as if they only left the house when necessary. She'd never thought much of it, she was a little girl after all, the rest of the neighborhood went about their business like they always had. She'd never talked to the family across the street just watched, like she watched the rest of the street, the closest she had ever come to interaction with the family was the occasional wave of the little girl from her chair and her window in the house in front.
             Nothing ever happened in the street, watching life go by wasn't a source of excitement to her but it still offered entertainment. The man who lives two houses down walks past with a bag of bread under his arm, as usual at this time, a woman closes her window on the second floor a few houses away, preparing herself for nightfall, and a dark green truck pulls up in front of the house ahead. The girls sits at the edge of the chair, stretching her neck as she tries to see what is disturbing the afternoon routine of the street. Men get off the truck quickly, brusquely, with anger, as if trying to complete the task at hand. She watches them knock on the family's door, hard, strong knocks. Finally they door swings loose, wide open, she can see the father talking to the uniformed men in tall, shiny, black boots. Seconds pass as the men interacts, she can't tell what they are saying, but the scene seems violent, like something she'd like to get away from. She can know see the mother and the daughter appear suitcases at hand, she wonders at it all. The family walks out of their home pushed, and urged to hurry by the foreign men. The girl just sits silent, watching, wide eyed as her mind formulates a million questions. The truck drives away and she can now tell there is more people on the back of it. She makes short eye contact with the girl, who just waves, a strange look in her eyes.
               She doesn't know who lives there know, another family she guesses. She had not sat at the velvet chair in years before this afternoon, and it amazes her so little has changed. Everything has gone back to normal, back to its routine, the cycle continues.
                   

                   

Wednesday, October 31, 2012

Ambush/The Man I Killed: A Real Boy

           Like most of the stories, this story is narrated by Tim O'Brien. Throughout the story he tells us about the life of the man he killed. He adds intimate details like the man's feelings and relationships with his family. O'Brien imagines this man's life from every angle he narrates about the man's goals and dreams of going to college, how he is good at math, and an intellectual rather than a warrior. The narrator has no way of knowing all these details.
             O'Brien generates a story from his imagination and his guilt. He feels guilty for killing the man,a man he didn't know. He knows the man must have had dreams, a family, people that loved him, conflicts, and everything else a normal human being has on every part of the planet. By telling his story O'Brien humanizes the man and makes him real. You get the feeling as he tells the story that the details come from his own past because he realizes the man he killed was a boy just like him, that could have even had a similar story. We know O'Brien didn't want to go to war in the first place but went anyways so that he didn't let down his family.

Tuesday, October 30, 2012

Sweetheart of the Song Tra Bong

         This story is strong and mysterious in some way. Mary Anne goes to Vietnam as girl; innocentthe epitome of Americabut as the story goes on she is shaped and molded in to something completely different. In my opinion what transforms her is the experience in general, she goes from being in the bubble of white picket fenced America to immersing herself in to the Vietnamese culture and the war. Being a woman matters at the beginning of the story but slowly becomes less important as she becomes a figure of madness any soldier could turn into. In the end the story shows how the war could affect both men and women the same way, soldiers go to war as boys but return changed after having close experiences with death.
                 I think O'Brien lets Rat Kiley narrate a part of the story because of the very way he tells it. O'Brien tells us Rat Kiley's narrations are exaggerated and often unbelievable, he adds a feeling of intrigue to his stories. Also, Rat Kiley is the one who was there, this gives the story authenticity. Sweetheart of the Song Tra Bong fits O'Briens criteria for a true war story, it has obscenity and evil, it is unbelievable, and there are parts to it that are merely rumors but seem to form part of the real story.

Sunday, October 28, 2012

SPIN: Peace

            "All that peace man, it felt so good it hurt. I want to hurt it back" I personally, think this quote means that that soldier was so peaceful he felt almost guilty for leaving. He had to break the peace because he felt like he had escaped the war rather than ended it. I think this quote says that peace is appreciated when you don't have it.
            The Vietnam War had long periods of monotony and peace and short flashes of anarchy and action. The soldiers sat around  waiting for something to happen and when it did they didn't hesitate to act and fight. Maybe they needed peace in order to fight in the periods of chaos. This quote makes you think that they almost longed for the battles, since they spent so much time waiting for it.

Saturday, October 27, 2012

War Letters: Please Don't Worry

Dear Mom and Dad,
        I miss you. I miss home. Everything is different here. Everything is raw and real, too raw, and too real. The ground is red and muddy, and it sticks to your clothes, to your boots, it smudges and stains. The landscape is green and beautiful. The people are strong, and rough, and resigned to whatever fate may bring. The deaths are short and quick, and irrelevantday to day occurrences. People are shot, blown up, slaughtered. The reality of death seems tangible, because at home you know people die everyday but when they do they are mourned for and grieved for, and you weep because it was unexpected. But here we seem to carry expiration dates. The ground keeps smudging and the birds keep chirping, and after the body of your friend is picked up by the helicopter you and your buddies grab your things and keep on walking. The faces don't change, mission isn't cancelled, death is what it has always been: inevitable.
         You find yourself doing things you never thought you would. Things you never want to speak of again because when you flashback to that time and that place you get chills down your spine, and you are suddenly cold, and full of regrets, and find yourself grasping at anything that will take the memory away. This is not a battle we are fighting for our country, but for ourselves, for our loved ones, this a matter of survival. You shoot to scare the evils away, to keep yourself safe.
          I know the last two paragraphs have scared you, I know they have worried you. But I am asking you not to, not to worry, not to be frightened. I am fine, I'll make it out of here. I know I can. In a few months I'll go back home. I'll get on with my life, go to college... I don't know, but I'll make it, for you.
Love,
Maria Gabriela

 * I chose to write to my parents because of how important they are in my life, I'm an only child and I know that if I went to war I would write to them.
I chose to tell them what is really going on because I feel they should know
I may have exaggerated the hope I have in myself because I wouldn't want them to get too worried, the fact that I am scared wouldn't have helped them.

The Things I carry

           I carry around my backpack five days of the week. But it mostly holds items I am forced to carry for school: geometry notebook, biology notebook,history notebook, binder, textbooks, pencil case, and the list goes on, these items don't represent me, they are stuffed inside the backpack, and only used if strictly necessary. For me, and mostly during the weekends, I don't leave the house without my cell phone, Chapstick, I-pod, gum, extra hair ties, and sunglasses.
          It's funny how I carry sunglasses almost everywhere. I get it from my mom, she won't leave the house without her sunglasses... rain or shine. They are just needed with Panama City's climate and I find myself longing for them when I forget to take them. Sunglasses protect; not only from the sun, but from many other things, they can hide your emotions on a bad day, they can make you feel safe and secure. I don't like to share a lot of my feelings with others, you could say they are my security blanket.
            I also take my  I-pod with me everywhere I go. I love music and head-phones can save you from some very awkward silences. Plus, everything is better with background music. Having your I-pod with you also keeps you from looking like a loner, you can just pull it out while you are waiting and pretend you are doing something important. I am an awkward person, and talking to random strangers while I'm waiting is not something I look forward to, you could say that is antisocial,  but I have enough awkwardness in my life as it is. It's weird how both of the items I chose help me stay away from awkward moments.

Friday, October 26, 2012

The Vietnam War

         I didn't know much about the Vietnam War before this class. All I knew was that many people were against it and the United States was involved (I also knew it happened it Vietnam but that was kind of obvious). So, what do I know now?
         First of all the war was part of the United State's long running battle against communism.The "Domino Theory" stated that (like dominoes) if one more country became communist the rest were soon to follow. There were many reasons the war was so controversial. To begin with the men for the war were drafted and sent against their will.  Most of the men drafted were under twenty-one and 76% of them belonged to the lower or middle class. It was also the first living room war , which means it was the first time people were able to see what was really going on in the battle fields, the dying, hungry, and miserable people were documented and televised to families around the nation. People were able to see the horrors the war was bringing to others.